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An Evening With Kris Allen - Meet & Greet [DOES NOT INCLUDE SHOW TICKET] - 10/6/19

Monday, October 7, 2019, 12:15 AM


Celebrating 10 years from his monumental American Idol win, platinum-selling singer/songwriter Kris Allen is taking his stories and career-defining songs out on the road in a rare, intimate solo-acoustic performance. Don't miss your chance to experience 10 Years in 1 Night, an evening with Kris Allen.
On New Year’s Day in 2013, Kris Allen and his then-pregnant wife Katy were in a head-on collision that left the singer/songwriter/guitarist with a career-threatening shattered wrist. In the two years that followed, he underwent three surgeries, re- learned how to play guitar (despite regaining just 30 percent movement in the damaged wrist), recorded his third album, and toured relentlessly – including a two-month-long stint that started just one week after his accident. The American Idol season 8 winner ultimately retreated from the whirlwind and immersed himself in a songwriting spell that yielded more than 70 new tracks. Culled from the collection of songs, Allen’s fourth full-length album Letting You In finds the Nashville-based artist delivering his most intimate and dynamic work to date.
The follow-up to 2014’s Horizons, Letting You In builds off the soulful musicality Allen first showcased with his platinum-selling 2009 single “Live Like We’re Dying,” But with its sophisticated songcraft and vulnerable lyrics, Letting You In reaches a new depth of feeling that infuses each track with undeniable emotional power. “Looking back, I think I tired to put off dealing with my feelings around the accident for as long as I could,” says Allen. “But in the past year I’ve realized how much it all affected me, and that definitely came out in the writing of this album.”
Allen recorded in Nashville with producers Konrad Snyder (Mat Kearney, Owl City, Milo Greene), Ian Fitchuk (James Bay, Drew Holcomb & the Neighbors, Griffin House), and Grammy Award-winner Brown Bannister (Amy Grant, Kenny Rogers, Steven Curtis Chapman) and made a point of exploring both the bright and dark elements of everyday life. “There’s almost two different sides to the record,” Allen notes. “On one hand you’ve got these happy love songs, because that’s life – I’m a happily married guy, everything with my family’s really great. But internally I was going through some things and trying to figure out my life, and the rest of the album very much came from that.”
The latter category of songs includes “My Time Will Come,” whose lyrics reflect on Allen’s struggles with self-doubt (“Lately I’ve been making friends with the doubts in my head/Hanging on every word that they’ve said”). But with its lilting guitar melodies and soaring vocals, the song ultimately emerges as anthem of gritty perseverance. On “If We Keep Doing Nothing,” Allen offers a poignant look outward. Written in the wake of the mass shooting at Oregon’s Umpqua Community College, the song’s throwback-soul arrangement of stark guitar tones and stirring organ lines provide a powerful backdrop for a determined meditation on gun violence. While Letting You In takes on its share of weighty maters, the album radiates a hopeful spirit that’s got everything to do with Allen’s easy warmth and open-heartedness as a songwriter and vocalist.
One of Letting You In’s most uplifting tracks, “Way Up High”, blends cascading guitar lines, breezy melodies, and slice-of-life storytelling that came to Allen while flying back home after spending days away from his family. “Usually when I’m writing a song I start with the music, but with ‘Way Up High’ the lyrics all came to me in a poem form,” he says. “I just tried to get down all these thoughts that were rolling through my head at the time, in a very stream-of-consciousness sort of way, and it all felt really natural.” And among the love songs that make up much of Letting You In is “Waves,” whose gospel-inspired harmonies and spirited piano work perfectly capture the tenderness in Allen’s opposites-attract serenade to his wife.
Allen first picked up the

Cost: General Admission: $70.00

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1350 Okie Street Northeast , Washington
Washington, DC 20002

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